The phrase "decorative by" is not grammatically correct and is not commonly used in written English
It is possible that it could be used in a creative or poetic context, but it is not standard or widely accepted. A more correct and common phrase would be "decorated by" or "decorative with." For example: - The room was beautifully decorated by a professional interior designer. - The cake was adorned with edible flowers, making it decorative with natural elements.
4. Ribbons stream romantically from chandeliers that are decorative by day; for an evening party, add a string of lights.
The city and its citizens have been Schmidt's subject since the beginning, and he documents them with the kind of passionate, despairing objectivity that makes Struth's work look decorative by comparison.
You can make the pie look more decorative by creating mini peaks and curls.
Fans of home décor might not realize that there is also a Trump Home Collection, with furniture by Lexington, light fixtures (including chandeliers galore) by Elk Lighting, decorative accessories by the Imax Corporation and mattresses by Serta.
The Clark's major exhibit this summer June 111 to Sept. 4) will be "Noble Dreams, Wicked Pleasures: Orientalism in America 1870-1930," featuring paintings by John Singer Sargent, Frederick Edwin Church and William Merritt Chase and decorative works by Louis Comfort Tiffany.
The Philippines' regulation, enacted in December 2013, sets a 90-ppm standard for lead in decorative paints by 2016 and in industrial paint by 2019.
The list includes major sculptures and drawings by Michelangelo, Cellini and Giambologna; important paintings by Bronzino, Pontormo, Salviati and Vasari; and decorative arts by Buontalenti.
Among them will be paintings by Bonnard, Braque, Léger, Picasso and Toulouse-Lautrec, as well as furnishing and decorative objects by Hector Guimard, Jacques-Émile Ruhlmann and Louis Comfort Tiffany.
Edgar Brandt of Paris broadened the scope of decorative usage by the rich inventiveness of his compositions and by an entirely original approach that resulted in a wrought-iron texture that is akin to beaten silver.
(Admittedly, the effect is not aided by the uneven 20th-century collection, which ranges from a subversively decorative work by Lari Pittman to a Warhol Elvis to a mix of lesser works by local artists).
One can envision a pairing of unflatteringly naturalistic portraits by Jan Gossart and Otto Dix, for instance, or quasi-abstract, unabashedly decorative canvases by Klimt and Polke.
