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In quotes from the book: Let us be separated by wars and pestilence, death, madness but not by the passing of time.
Death, madness, financial disaster and other catastrophes all come up and are dealt with matter-of-factly, with a shrug and a rueful laugh, while the most banal occurrences set private, incommunicable demons churning.
Divisions between players and parts, public and private, life and death, madness and sanity, love and hate and — oh, yes — the person you see in the flesh and the one you see on a screen (make that several screens) at the same time: Mr. van Hove works his way through these distinctions like a prankish child with a magic eraser.
They may promise to reveal the shameful secrets behind the industry's glittering facade, but those secrets burst with so much intrigue and excitement (gangsters! seduction! death! madness!) that they make the business seem more enchanting, not less.
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We may feel uneasy about watching - horribly aware that the object of our observations may be heading for death or madness - but our eyes are drawn back.
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A few odd juxtapositions of perky instrumental music with desolate song in this tale of love, separation, death and madness may have resulted in part from the compression.
He wants to start over, leave behind the death and madness of his troubled past, and bathe in the comfort and safety of America.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com