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"I'll be dead real soon," he figured.
The bad news is there is not much choice because of the dead real estate market.
"Every famous person, living or dead, real or fictional, can be associated with objects," the announcer declared.
The video, which is the work of the Scottish artist Douglas Gordon, who shot it last year in the gallery, is entitled "Play Dead; Real Time".
O.K. Now for the bad news: THE HOUSING MARKET IS DEAD, DEAD, DEAD Real estate has long been a huge driver of the California economy, but all signs suggest that a housing recovery is still years off.
Like most installations by Gordon, who is a thirty-seven-year-old fixture on the circuit of grand international exhibitions of contemporary art, "Play Dead; Real Time" is visually elegant and conceptually nuanced.
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Her morbid melancholy, it turns out, is not for her recently dead foster father or for her long-dead real father, who was a distinguished doctor, but for Bertram, whom she idealizes as a "bright radiance," whose "collateral light" comforts her.
The best new plays to open on Broadway, Michael Frayn's "Copenhagen" and Claudia Shear's "Dirty Blonde," summoned the lingering presences of long-dead real-life figures -- the movie star Mae West ("Dirty Blonde") and the physicists Niels Bohr and Werner Heisenberg ("Copenhagen") -- to figure out what made them run and how they shaped the world around them.
Another principle of irreductionism is that human, nonhuman, and dead material are all real and can act.
"The Dead Are Real" (2012): Larissa MacFarquhar Profiles Hilary Mantel.
And this time he was dead for real.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com