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My colleague Evan Osnos's post this morning, about the forthcoming remake of "Red Dawn," in which Americans will be fighting off a Chinese instead of a Soviet invasion, offers a salutary reminder of why such demagogic projects are counter-productive.
It was, on the whole, not such a bad dawn in which to be alive.
All these told black audiences that they were seeing a new dawn, in which all kinds of new things were possible.
Either we're inclined to go to bed early and wake up at dawn, in which case we're "larks," or we like to stay up late and get up later, which makes us "owls".
And now that Tripoli has fallen to the rebels, the man I most wish were here to witness this new dawn, in which we are holding in our hands the very sincere possibility of a better future, is my father.
You may remember the original Red Dawn, in which Patrick Swayze and Charlie Sheen managed to single-handedly stave off an invasion from communist Russia by respectively singing She's Like the Wind and wildly overusing the word "winning" at them.
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By the end of the '70s, in the wake of "Star Wars" and the Corman-esque "Jaws," a new era of blockbusters was dawning in which lavishly budgeted spectacles crowded out lowbrow, low-budget drive-in and grindhouse fare.
An era has dawned in which humanity's impact on the earth could prove to be as great as ice ages or meteoric collisions, scientists, government officials and business leaders warned this week at a big environmental conference in London.
Even in 1997, a new era was dawning, in which new technologies would permit households with more than one computer to experience the joys and economies of networking without the expense and trauma of rewiring the house.
For better or worse, a new day may be dawning in which Germans, once again, are judged by more than how snugly the doors of a Mercedes click shut.
The concept of wirelessness has proved to be such a hit with consumers that a third age of cord cutting has dawned, in which the benefits of going wireless are not always immediately clear.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com