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The objective of data art is to create aesthetic forms and artistic works from the digital nature of the data generated from big data (graphics, simulations, worksheets, statistics, etc).. Any virtual data produced by our environment can be transformed into images, objects or sounds.
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Other signs of data art are also apparent amongst pioneers of generative art, an artistic form calling upon computer-generated creation via algorithms and computer language.
CD4-cell count and antiretroviral therapy data (ART) were extracted from medical records.
Aweida explains on his website: "The data-art is based on vector fields stemming from wind data with the goal of representing wind through digital fabrication and the tangible".
Data as art is not new, but with the hack we wanted to show how it might become part of mainstream artistic discourse, as the boundaries between digital technology and 'traditional' creative practice dissolve, and artists of all kinds come to see its potential for affecting and reflecting our world.
Our data reveal that ART is associated with a reduced total response magnitude in both blood and mucosa, as expected based on previous studies, but the complexity of the response is affected differentially in the two tissues (Fig 5A & B).
Big data and art are converging in electrifying ways.
An important factor in interpreting HIV prevalence data in the era of ART is that prevalence can increase while HIV incidence is unchanged, purely as a result of ART prolonging survival of HIV-infected individuals.
One firm that has successfully converted a military facility into storage space for art is Swiss Data Safe, based in the central Swiss town of Amsteg.
The term of art is that the data was "unselected".
However, before the advent of today's extremely complex forms of data art, there were works like those by the artist Mark Napier, part of the generative art movement, who produced Black and White, a work based on the stream of information captured by "Carnivore," a software program developed by the FBI in the 2000s.
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CEO of Professional Science Editing for Scientists @ prosciediting.com