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These earliest structures are to the south of the Main Plaza and include the Akabtzib ("House of the Dark Writing"), the Chichanchob ("Red House"), the Iglesia ("Church"), the Casa de las Monjas ("Nunnery"), and the observatory El Caracol ("The Snail").
As I sit here in the dark, writing these words, I can feel every muscle fiber of my body setting in place like plaster slopped all over a doughy, out-of-shape Greek statue someone made as a joke.
Throughout his body of work, the reader can readily sense the author's perception of the unknowability of other people and the ambiguity of events; it is dark writing with a light touch.
The work, a seven-movement suite in a mildly dissonant, angular style, captures some of that duality: in the early movements playful sections collapse into anxious, dark writing, and in the later movements the music's tensions gradually clear, though the innocence of the opening Prologue is not quite mirrored in the Bartokian passagework of the Epilogue.
But the dark writing is still the star of the show here, bringing the characters to life in all of their misery.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com