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The event, for 350 guests, took place at the Roosevelt Hotel and benefited Dancing Classrooms, an outreach program of the company that supports ballroom dancing in New York's public schools.
I've gotten back into dancing since escorting my mother to a gala fund-raiser for the nonprofit Dancing Classrooms, when my stepfather was out of town several years ago.
It was the eighth in a series of 20 ballroom dancing lessons offered by the North Babylon Union Free School District this spring as part of a nonprofit program called Dancing Classrooms, developed by American Ballroom Theater Company in Manhattan.
The kids came to attention at a call from Pierre Dulaine, the illustrious show dancer who, in 1994, started the Dancing Classrooms outreach educational program.
After appearing with his partner, Yvonne Marceau, on Broadway in the 1989 production of "Grand Hotel," he started teaching children at a performing arts school in Manhattan in 1994, which led to the development of Dancing Classrooms.
In this installment of Kids' Day at Midsummer Night Swing, Rodney Lopez, a teacher from Dancing Classrooms, the organization featured in the "Mad Hot" documentary, will teach children (and parents who want to join in) the basics of ballroom, tango and swing.
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The nearly two-minute video looks like an appeal to prospective students, featuring a montage of undergraduates walking around campus, dancing in classrooms and celebrating big basketball victories.
The nearly two-minute UC Irvine video looks like an appeal to prospective students, featuring a montage of undergraduates walking around campus, dancing in classrooms and celebrating big basketball victories.
Alcott replaced the hard benches of the common schools with more comfortable furniture that he built himself, and left a central space in his classrooms for dancing.
As four midriff-baring, belly dancing instructors encouraged a classroom full of young women into a circle to dance, several hung back, biting their lips and shooting glances at friends.
But much of Friday's display, choreographed by DanceBrazil's founding artistic director, Jelon Vieira, looked not like real dancing so much as a classroom-type demonstration of bravura technique, building gradually over an hour from slow to fast, basic to brilliant.
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