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It was exciting this spring to watch many dancers show Balanchine's off-balance principle in practice.
Sliding back and forth and stumbling about, the dancers show us something we already know: Relationships are hard.
When the water turns to ice, the dancers show frailty by hugging their ribs and hunching over while shivering.
The diversity that each of these dancers showed in just 50 minutes was more than most dancers show in a lifetime.
Austerely the dancers show us aspects of parental desolation: a cradling gesture is dropped as if redundant, dancers walk or run with arms held stiff.
The dancers show both the hyperextension and male manipulation of the female form that were part of the original "Bugaku" shock.
Similar(35)
Around 40 dancers showed up each time.
As a whole, the solo dancers showed sound training.
(More dancers showed up than he felt the intimate stage could handle).
The next day's rehearsal was called off, but the dancers showed up anyway.
The dancers showed both plasticity and line; personal projection; and a musicality that embraced melodic, rhythmic and harmonic facets.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com