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According to a suit filed Thursday in Los Angeles Superior Court, Carmen Finestra, Tam O'Shanter, David McFadzen and Matt Williams of Wind Dancer Production Group are alleging that Disney sold the Tim Allen family comedy into syndication in New York for "for no monetary consideration," and failed to consult them over the best way to exploit the show for further profits.
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"I think that this is one of the ugliest train stations that exists," said Ms. Sterner, managing director of Baryshnikov Productions in New York, the ballet dancer's production company.
But when Wind Dancer, the production company he and two partners run, acquired the rights to Billie Letts's down-home 1995 novel, Mr. Williams got involved, looked around and eventually gave himself the job.
His program was a "formula for continued failure," said the American Guild of Musical Artists, which represents singers, dancers and production staff members.
Instead of using a resident troupe, Mr. Gelb said, the Met will hire dancers per production, as it has increasingly in the past few years.
We'll let you know,'" said Alan Gordon, the executive director of the American Guild of Musical Artists, which represents many singers, dancers and production workers at City Opera.
There was an entire musical number, complete with background dancers, high production values that didn't end up in the final cut.
The cast includes both European and African dancers, the production sets the action in Africa, and the choreography is drawn from both African dance and Western modern dance.
The American Guild of Musical Artists, which represents the Met's singers, dancers and production workers, recently refused a request for contract concessions, saying it wanted to see the company's books.
The new contract with the American Guild of Musical Artists — which represents City Opera's singers, dancers and production staff — was signed on Aug. 14 and distributed to members on Thursday.
The show was an hour long, creative, story-telling affair that blended forms and facilities, a result of choreographers Riad Fghani and Hadis Sour's collaboration with the dancers themselves, production by Arnaud Carlet (lights and sets), Nadine Chabannier (costumes), Douniel Fghani (technician) and Alexis Roure (music).
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