Exact(1)
In a dance process, I'm more just throwing things around and then trying to reel them back in".
Similar(59)
Dance & Process, an annual program of new pieces by emerging choreographers, gives us a chance to find out.
Thursday at 8 p.m., next Friday at 8 p.m., 175 Eighth Avenue, at 19th Street, Chelsea, (212) 242-0800, joyce.org; $10 to $59. (Burke) ★ Dance & Process (Friday and Saturday) For this annual series, the Kitchen selects an influential choreographer who picks several up-and-coming artists for a 10-week group residency, culminating in this presentation of works.
One of the most fascinating programs of the year was an edition of Dance and Process at the Kitchen.
Still, contemporary art is always something of a gamble, and this is especially true with a series like Dance and Process.
Dance and Process at the Kitchen shows the outcome of a seven-week work session for three choreographers, Felicia Ballos, Pedro Jimenez and Isabel Lewis, run by the dancer and choreographer Miguel Gutierrez.
(Dunning) DANCE AND PROCESS (Tonight and tomorrow) It's three-for-one night at the Kitchen, as choreographers Felicia Ballos, Pedro Jimenez and Isabel Lewis present the fruits of a seven-week group process, guided by the curator Miguel Gutierrez.
An extension of a work he created in 2009 as part of the Kitchen's Dance and Process series, the production has blossomed into an ephemeral landscape where music works in tandem with movement and lights.
But they're not without intriguing possibilities: one is the Kitchen's long-running series DANCE AND PROCESS, which features dancers (typically accomplished) who are turning their talents to choreography.
In the December installation of the Kitchen's Dance and Process series, Kayvon Pourazar will perform a mischievous solo that, he said, exploring "different ways of censoring the act of appropriation and potential misappropriation".
(Burke) ★ Dance and Process: Julie Alexander, Michelle Boulé and Martin Lanz (Thursday, through Dec. 23) When you've seen a dancer bring the work of a choreographer to life — like Julie Alexander in Yasuko Yokoshi's "Tyler Tyler," or Michelle Boulé in Miguel Gutierrez's "Last Meadow" — you begin to wonder what she would create if left to her own devices.
Write better and faster with AI suggestions while staying true to your unique style.
Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com