Sentence examples for cutting shot from inspiring English sources

The drilling operation of hybrid FRP/Ti composite, however, represents the most challenging task in modern manufacturing sectors due to the disparate natures of each constituent involved and the complexity to control tool material interfaces during one single cutting shot.

The pig for the cutting shot.

Through selective treatment of the transitions by grinding (abrasive cutting), shot peening, High Frequency Impact Treatment, etc. the durability of many designs increase significantly.

Ferenc van Damme, the director, pulls out many cinematic stops, busily dissolving and superimposing (never cutting) shots of the evocative Romanesque architecture, fluffy clouds, candles and Hildegard's illuminations, all bathed in a golden light.

For a time in the mid-to-late 1920s the art of the cinema meant only one thing to the serious-minded film critics of America and Europe: Soviet-style montage, or the art of cutting shots together in a way that would produce ideas and emotions beyond those expressed in the images themselves.

The cable company has been steadily sexing up its pro fishing coverage with "Miami Vice -style cutting shots, a rock soundtrack and a younger generation of angling stars who scream, pump their fists and eVice -styleancuttingheir bashotsats when they hook a big one.

Whedon used another long tracking shot from Joyce's face in the morgue following the doctor down the hall to speak with Buffy and the Scoobies to cement the reality of their being so close in proximity, as opposed to cutting shots to give the possibility that it was part of another set located somewhere else.

In this one we saw in a long shot Dan begin to bend over beside his rail, and they began cutting to shots of one or two players, and Dan never got a one or two shot in the whole sequence.

In desperation I started cutting the shots shorter and shorter, and when I saw the energy that put into the film, I had my first real revelation about cutting".

The images are now in an austere black and white, but in his editing Mr. Oshima systematically avoids the smoothly matched shots that create a sense of unified space in classical cinema, frequently reversing the direction of action on screen or cutting to shots that don't correspond to the angle of a character's gaze.

U2 developed a style of editing in their previous concert films that involved fast cutting between shots, which Owens wanted to retain in U2 3D.