Sentence examples for cutaway section from inspiring English sources

Japan's Hiroko Okada mocks up seamless photographs of "pregnant" men; Brazil's Adriana Varejão packs a cutaway section of tiled wall with what appears to be bloody meat.

Each hatchway we passed teemed with bullseye fish, their iridescent scales creating a shimmering curtain of red that parted as we poked our flashlights into a cutaway section of the stern.

From this raw data, he and his team had to create the meshes for 3D printing, which required aligning the photos from all three captures, cleaning up the seams where the different pieces met, and designing a cutaway section and plinth.

Rein's pieces feature cutaway sections and see-through panels in forest greens and blacks.

It was curvier, with cutaway sections on both sides of the guitar's neck that allowed players better access to the upper parts of the fret board, the body further contoured to more closely fit against a player's torso.

Mr. Leatherbarrow writes that the modern relationship between construction and topography is best seen in section (a cutaway drawing), rather than in plan (from above) or elevation (from outside).

By emphasizing the section (the cutaway view) over the plan and elevation, Leatherbarrow demonstrates how modern construction methods introduced a new connection between the interior and the exterior of buildings.

He oversaw the construction, at Cinecittà, of a huge cutaway set showing a cross-section of the ship — an ant-farm-like vision that resembled legendary sets from Jerry Lewis's "The Ladies Man" and Jean-Luc Godard and Jean-Pierre Gorin's "Tout Va Bien" — and filmed it in a pair of astonishing crane shots.

Eagle also contained news and sport sections, and educational cutaway diagrams of sophisticated machinery.

It had neat diagrams of Jacques Cousteau's underwater stations, seen in a cross-section of the ocean, with cutaway views to show the French crew in their boxers; it had maps decorated with significant icons — state seals, natural landmarks — drawn in a style not quite cartoony yet not wholly earnest.

Mr. Albam's "West End Blues" was the show-stopper, with mottled Ellingtonian chords in the reed section, brass-heavy crescendos and then a few great cutaway moments: one duet between the trombonist Steve Turre and the bassist Todd Coolman and another in which a tender, forthright Frank Wess tenor saxophone solo had only the merest clicking to accompany it.