Sentence examples for cut folded from inspiring English sources

Collage elements punctuate the illustrations — a tiny ladybug in the grass, a piece of lace for a window curtain, a blowing newspaper cut, folded and tweaked with white paint.

Some of the collections are just mounted for this season by the senior curator, Jean Burks, and her colleagues: more than 100 Vermont firearms going back to 1790; Belle Époque fashions, with some partial outfits completed by contemporary design students; an exhibition of new and historic quilts; and artworks made out of cut, folded, rolled and processed paper.

Paper can be layered, shaped, cut, folded, colored, sculpted, so it's full of possibilities, the more I experiment with it the more possibilities I see".

defer.add img); Once folded, cut the folded piece a length of 15 centimeter (5.9 in) / 5.9" radius.

But the two Picassos -- a small, Gumby-like figure made from cut and folded sheet metal and a man's head painted on folded sheet steel -- are from the early 1960's and have little to do with his innovative, Cubism-based metal assemblages of the late 20's and early 30's.

Yunhee Min forms multifaceted, shoebox-size architectural models from cut and folded cardboard.

With scissors, first cut the folded edge, then slice the sheet into the thinnest strips you can (or just buy ready-cut nori).

Chakaia Booker returns to the museum with "Echoes in Black (Industrial Cicatrization)" (1997), a dazzling wall sculpture-installation made up of 14 vertical modules covered in dense accumulations of cut and folded tire parts.

It is difficult to see how the studies of hands, arms, torsos and heads by Tintoretto, Beccafumi and Guercino, among others, relate to her purely abstract, geometric compositions of cut and folded paper from the '70s and '80s.

Featuring more of the cut and folded figures, animals and birds, and wonderful drawn passages, they appear at Eller in a satisfying face-off with the sliced-and-spliced photographs of Adam Marnie (through Feb. 5).

Zuydervelt asked Webster and Kokke to improvise over an electronic framework, and then their improvisations were cut up, folded in, looped and moulded around the sounds of Zuydervelt's electric guitar and other miscellaneous field recordings – layers of recorded history that are reflected in Zuydervelt's tiered, poly-temporal structure.