"current exposition" is a correct and usable phrase in written English.
It refers to the current or ongoing explanation or presentation of an idea or topic. Example: In his current exposition on climate change, the scientist discussed the impact of rising sea levels on coastal communities.
Still more, the succession of jalousies Iglesias has made, dating back to the mid-1990s in Madrid, reveal her own way of watching the world at once protectively and expressively, she said, while leading a group of visitors through her current exposition (through July 31) at Grenoble's Museum of Art: "I'm Basque, I'm Spanish, I'm a woman, I'm in a foreign place where I was not born.
As the focus of the present paper is heterogeneity as a methodological phenomenon, we invite readers to examine the latest version of the Cochrane Library for a current exposition of the effectiveness of these interventions.
The investigated OFETs are sensitive to ambient atmosphere, showing reversible increase of the source to drain current upon exposition to air, what can be explained as doping of TTF derivative by oxygen or moisture.
A factorial design at two levels of three growth parameters such as current density, exposition time and temperature of the bath has been used to study their influence on the height of ZnO columns.
When it is new, in the first few expositions, it produces larger, conductive pits irrespective of the exposition current.
Photographs and radiographs (Faxitron HP 43805 N X-Ray System, Hewlett-Packard, Palo Alto, CA, USA; tube current, 30 kV; exposition time, 30 s) of all sections were obtained.
For organic solids, the damage decreases with higher accelerating voltages, lower beam currents and reduced exposition times [13].
After tip "forming," the use of exposition currents in the range of 0.05-0.15 nA results always in non-conductive pits as also reported previously [10].
His delivery of the five-and-a-half-hour address in the Palace of Congresses grew more animated when he passed from an exposition of current official ideology to the subject that has dominated his first year in office.
The applications of these methods are also presented and discussed, followed by an exposition about current research challenges on 3D video summarisation methods.
Reading this, I was struck first and foremost by the art of illusion and the power of suggestion at work; two subtle sciences all but lost in our current culture of gross exposition.
