Sentence examples for cultural generation from inspiring English sources

"A cultural generation gap is emerging".

Florida ranks sixth on Mr. Frey's cultural generation gap list, with a 29 percentage point difference between the percentage of white people among its older residents and the percentage that whites make up of its children.

But Arizona stands out: William Frey at the Brookings Institution puts its "cultural generation gap"—the white share of the over-65 population minus the white share of under-18s at under-18s at 41% any othigherathansee chany).

In 2009 Hispanics comprised 21% of those younger than 25; those 65 and older were 80% white and only 7% Hispanic.But this divide what William Frey of the Brookings Institution in Washington, DC, calls "the cultural generation gap"—is very much wider in some states and cities.

Over the past two decades Arizona's Latino population of children and young adults has grown so fast that the state now has what he calls the largest "cultural generation gap" in the country: 83% of Arizona's older people are white, but only 43% of its children now are.

In a new report based on census figures titled "The State of Metropolitan America," Mr. Frey found that Arizona has the largest "cultural generation gap," as he calls it, between older Americans who are largely white (83 percent in Arizona's case) and children under 18 who are increasingly members of minorities (57 percent in Arizona's case).

Further experiments might test more systematically the conditions under which people engage in direct and indirect bias when acquiring knowledge and skills accumulated by previous (cultural) generations of participants in the lab, such as in response to the aforementioned innovation costs.

With its message of peace and overturning of orders, it appealed to a counter-cultural generation remoulding notions of the war.

Multi-cultural generations has grown tremendously over hundreds of decades.

Emblazoned with brilliant floral patterns, landscapes, dragons and traditional Chinese motifs, the 37 sculptures are by Ah Xian, part of the post-Cultural Revolution generation of Chinese artists.

Part of the post-Cultural Revolution generation, Fenfang is untethered from history and profoundly alone, and Guo imbues her flailing efforts to establish herself with a raw, adolescent pain.