Sentence examples similar to crying vocal from inspiring English sources

The album is streaming now on Apple Music, where you can find the the duo's swirling, Balearic heater, buoyantly urged along by flustered analog percussion and a rallying cry vocal sample that seem to struggle to keep up with the kick drum's uptempo poise.

Fig. 1 An example of a chunk of infant cry signal showing expiratory and inspiratory phases and non-cry vocals present in the recording (categorized as residual).

The former two classes constitute the regions of interest, and residual is simply a collection of all irrelevant acoustic regions (i.e., non-cry vocals of infant, other sound sources, and silent parts).

A cry signal captured in a realistic environment (e.g., pediatric ward of a hospital) may contain extraneous sounds (e.g., non-cry vocals produced by the infant, vocals of other people present in the room, and background noise contributed by the surrounding environment or by the recording equipment itself).

(Add to that the accusations of media dishonesty: in Green Bay, Trump complained about how dishonest the press had been about his contretemps with a crying baby, whose vocal strength he said he admired. "The baby liked me!" he exclaimed).

She also tells me that the pair were so close they would cry together during vocal takes.

"After an emergency the trauma to our youngest children may not be fully realised because, apart from crying, they are the least vocal and the least able to express in words what they feel.

You cat may also become more vocal than usual, crying loudly as if disoriented and trying to understand her surroundings.

The focus of the observation was mother-child interactions (including crying and soothing behaviors, facial and vocal expressions, eye-contact, and body positions) and interactions with family members and health professionals if they were present.

Some dogs become excessively vocal, whining, barking, or crying for no apparent reason.

In addition, wave files of human male and female nonverbal emotional vocalizations (laughter or crying 34) were concatenated to create sequences in which the gender for consecutive vocal segments always varied but the sequence as a whole could be either constant in emotion (laughter or crying) or interleave laughter and crying.