Sentence examples for criticism lectures from inspiring English sources

Exact(1)

And Vladimir Nabokov observed in his masterpiece of criticism, "Lectures on Literature," that some of his students' ears were "merely ornamental".

Similar(59)

Eliot found work as a schoolmaster, then in the foreign department at Lloyd's Bank, while writing criticism, lecturing and painstakingly composing poetry amid a plague of domestic illnesses, hospitalisations and breakdowns.

The bust-up between Cameron and Sarkozy held up the conclusion of the EU-27 summit for almost two hours, with the French president expressing rage at the constant criticism and lectures from UK ministers.

His collections of literary criticism and lectures — among them "The Sense of an Ending: Studies in the Theory of Fiction" (Oxford University Press, 1967 and 2000), "The Genesis of Secrecy" (Harvard University Press, 1979) and "The Art of Telling: Essays on Fiction" (Harvard, 1983) — became standard university texts.

In 1995, "after eight years of unremitting attention," as he put it, the Greenwood Press brought out the result of his reading: "Everyone in Dickens," in three volumes totaling 13,000 entries over 3,744 pages at a cost of $356.95 and covering every character Dickens wrote of in his 518 known published works of fiction, travel, criticism, and lectures.

In addition to her poetry and books of criticism, Lowell lectured frequently and wrote critical articles for periodicals.

17:00, 26 February Even celebrations are not beyond criticism – this lecture reflects on the possibilities and the problems of LGBTQ History Month.

Germany has drawn criticism for lecturing other countries on excessive government debt, while trying to protect its own banks from greater scrutiny.

Wang gratefully resumed the life of a full-time writer, producing novels, short fiction, criticism, verse, reviews, lectures, autobiography, and even translations of some John Cheever stories.

Writing in The Times, A. O. Scott called the film "a deeply personal piece of art that never descends into the confessional or the therapeutic, and a work of social and literary criticism that never lectures or hectors, but rather, with melancholy, tenderness and wit, manages to sing".

Writing in The New York Times, A. O. Scott called the film "a deeply personal piece of art that never descends into the confessional or the therapeutic, and a work of social and literary criticism that never lectures or hectors, but rather, with melancholy, tenderness and wit, manages to sing".

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