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Read the program and you'll spot two reasons why: Robin Wagner and William Ivey Long, the original set and costume designers, respectively, are credited here, too.
Whichever of the writers credited here thinks $25,000 is enough to finance a high school music program needs to go to a few more school budget meetings.
This was also the subject of "Selective Memory," the previous work by Mr. Rogers (credited here for concept, direction, sound and — his quotation marks — "choreography") and Ms. Best (director of photography here).
The idea came from Johnny Depp and director Gore Verbinski (credited here as executive producers) while they were filming Pirates of the Caribbean, and the result is a 43-track epic that actually works.
Written by Anya Saffir and Cormac Bluestone, and directed by Ms. Saffir, "The Velveteen Rabbit" adheres closely to the 1922 book by Margery Williams (credited here as Margery Williams Bianco) in both spirit and content.
The third is Universal's own 1944 "Phantom Lady," the first American film noir directed by the European émigré Robert Siodmak, which, with its audaciously stylized cinematography by Elwood Bredell (credited here as Woody Bredell), was one of the pivotal films that established the look of noir for the decade to come.
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However the conference they credit here was not the work of Goldsmiths.
Andrew Strauss deserves credit here.
Toby Flood deserves great credit here.
The Premier League deserves some credit here.
Winfrey and OWN deserve some credit here.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com