"creative transformation" is correct and usable in written English.
You can use it to describe when something has been changed in an imaginative, inventive, or original way. For example, "The artist completed a creative transformation of the old building, turning it into a modern office space."
And as studio artists, they engage in the creative transformation of these observations and experiences into works of art.
Like Steve Ellis's acclaimed translation of 1994 (bleakly titled Hell, Carsonn's Inferno is a creative transformation that deserves our highest admiration and respect.
The word "anthropocosmic" is used by Tu Weiming in Confucian Thought: Selfhood as Creative Transformation (Albany: State University of New York, 1985).
"He and I have worked closely together since I joined ITV and he has been a great creative partner and has led a brilliant creative transformation of ITV's programming, launching some of the biggest shows on British television.
By reviewing indigenous terminology from later historical periods, it proposes that urbanism evolved in the context of a metaphorical extension of the household that represented a creative transformation of a familiar structure.
The third objective used the potential for the creative transformation of vacant land and buildings, as the city's greatest but the most challenging asset (Kinkead 2015; Detroit Future City 2012).
We will also engage with artists and architects who draw from Lagos' informality, creative transformations of land and material, and palimpsest of ecologies and spiritualities to imagine a future city for all.
Rather than purporting to describe particular spirits, many Neo-Confucians, following Cheng Yi, explained ghosts and spirits as "traces of the creative transformations of the world".
Beyond the humorous backstories and creative transformations, there is also an element of community service at play in the project.
Unlike Irigaray, who wants to retrieve the pre-Oedipal period in order to reclaim feminine genealogies, Kristeva wants only to redescribe it in order to reassess its import for individuation and creative self-transformation.
Women's access to language, and creative self-transformation, is more vulnerable to disturbance both because of the (previously discussed) inexorable repression of their pre-Oedipal relation to the mother and because they have greater difficulty establishing a primary identification with the father.
