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Dr Michael Bloomfield is an anthropologist with a PhD in mankind's creative origins, and a former lecturer at the University of East London.
The city also accounts for 10% of the UK's digital-entertainment industry (Grand Theft Auto has its creative origins in Dundee), while DC Thomson continues to publish titles including the Beano and Dandy (see the aforementioned Desperate Dan statue).
In her mind, his ranch sprang to life; she put it in the back yard of their new home, under the foothills of the Rockies, though it had its creative origins in frenetic Los Angeles, beneath high-tension wires and airplanes and ozone alerts.
Haberland suggests that the absence of surviving colonial-era Pueblo textile examples make it impossible to do more than conjecture about whether the creative origins of Navajo weaving arose from Navajo culture or were borrowed from the neighboring people.
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"Parrot & Olivier in America" (Knopf; $26.95) is a delicious, sprockety contraption, a comic historical picaresque that takes as its creative origin Tocqueville and Beaumont's 1831 journey, but freely improvises many English, and even Australian, extras.
If he forfeits his amateur status and sells the image without outlining its creative origin — yes (this is akin to a comedian who steals jokes verbatim and merely changes the delivery).
If there is nothing wrong with using other people's ideas, why would you go to such lengths to condemn the author and book which provided the creative origin for your work?
(I'm reminded of a similar creative origin story, relayed by Alana Newhouse in the Times Magazine: it recently came to light that Roman Vishniac's famous series of photos of pre-war Polish shtetl life began as a commission for the Joint Distribution Committee, a relief organization dedicated to helping threatened Jews worldwide).
Hindle and Lubar (1986) view invention as the creative origin of a new process that enables innovation.
We have to understand our origin and our creative source.
Creationist Richard B. Bliss used the phrase "creative design" in Origins: Two Models: Evolution, Creation (1976), and in Origins: Creation or Evolution (1988) wrote that "while evolutionists are trying to find non-intelligent ways for life to occur, the creationist insists that an intelligent design must have been there in the first place".
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com