Sentence examples for creative mixtures from inspiring English sources

But it was really the orchestra I was interested in, the creative mixtures of sounds that could be achieved with an orchestra.

Supercritical water reactor is one of the generation IV reactors which is basically a creative mixture of conventional PWRs and supercritical pressure steam boilers.

Wouldn't this be a great time for liberals and conservatives to put their heads together, using a creative mixture of free-market and big-government ideology, to craft real-world solutions to our vexing economic, social and political challenges?

A creative mixture of both simple and advanced time series models, estimation techniques and expert knowledge can solve problems caused by the limited availability of historical population forecasts and a general lack of reliable, internationally comparable data series on international migration.

He replied: "My enemy is not Europe, it's purity — the idea that purity ever exists, or that if it does exist, that it is somehow more culturally creative than mixture.

Yet, for all those creative tensions, that mixture of smart dialogue and detailed characterization with histrionic plotting is a large part of the show's appeal.

It was a wonderful mixture of creative types, and you never knew who'd show up for the weekly meetings.

And as many critics have noted, no film does a better job of taking viewers inside the often chaotic creative process, an unlikely mixture of inspiration and happenstance.

Johnson is having a moment, which is why it seems the opportune time to launch BSJ: The BS Johnson Journal, a mixture of creative writing, journalistic articles and peer-reviewed papers produced by the BS Johnson Society.

Launched in early November, the student-run website contains a mixture of creative work—including short stories, poetry, and creative nonfiction by “a new generation of global student,” which is what one of the journal’s founding advisors, professor of French studies Isabelle de Courtivron, calls the contributors.

Our criteria were a mixture of creative influence, economic clout and political power - more strictly defined as influence over and ability to shape the UK market; market capitalisation, number of staff and corporate innovation and access to government and influence over decision making.