Sentence examples for creative distinction from inspiring English sources

Very few surfing feature films have achieved any creative distinction since the Beach Blanket era's high tide.

"It's a creative distinction, because there are so many products that don't have anything to do with dogs but have dogs in their commercials to sell cars, beer, anything," Mr. Woo said.

My hope is that this offshoot of Urban Outfitters doesn't become mega-mall big and lose the creative distinction of its brand personality.

Today Shutterstock officially announced Offset, its new brand for its collection of top notch images that have been specifically curated for creative distinction and quality.

Key distinctions come, Creative executives note, in the use of the space-saving WMA format, which -- combined with the extra gigabyte of hard drive space -- permits the Zen Micro to hold more songs than an iPod Mini, Ms. O'Malley said.

Relatively few creative artists of distinction have chosen to work in this medium, however, and it has tended to be purely decorative.

Dylan is a powerful creative figure: the distinction of his verbal art makes it reasonable to look for poetry in his visual art, even if it is not as original as his songs.

"I am therefore delighted to let you know that Julie's piece has been chosen for publication". The letter comes with an impressive "Talent for Writing" certificate which says: "This is a certificate of merit to certify that Julie Smith (not her real name) has written a creative piece of distinction that was selected for publication in a Young Writers anthology".

"The Gershwin Prize was created to honor an artist whose creative output transcends distinctions between musical styles and idioms, bringing diverse listeners together and fostering mutual understanding and appreciation," the Librarian of Congress, James H. Billington, said in a statement.

One of the easiest but most powerful ways firms can achieve the performance improvements promised by technology is to jettison management's distinction between "creative talent" and the rest of the organization.

Across the hall of PostCity was metaLAB creative researcher Kim Albrecht's "Distinction Machine". This installation showed the limits of computational language by having a computer render multiple shapes of different colors in the same "location" — forcing the computer to "decide" to show one color or another.