Sentence examples for creation of architecture from inspiring English sources
The school's design might be considered highly typical of Will Alsop, a legendary bon viveur who sees no fundamental difference between painting or making surreal installations and the creation of architecture.
"We welcome the creation of architecture at the European level that can coordinate national supervision," Mr. Osborne said in Brussels, where he was meeting with fellow European Union finance ministers.
The interpretation of social and economic phenomena as conditioning circumstances for the creation of architecture is a first step to apply the forthcoming logics to the profession.
Overall, RTC leads to profound changes in the design, performance and expressive language of architecture and thus fosters the creation of architecture that profoundly reinvents its constructive repertoire.
The digital tectonics design is presented as a fresh approach focused on the role and application of materials and technology in the creation of architecture 21st century.
This was the most à la mode creation of Architecture of Dance, with elements of body-popping; anti-conventional theatricality (ballerinas without makeup, usually a contradiction in terms); changes of lighting and décor; and a challenging Thomas Adès score.
In this chapter, we introduce an architecture description tool, the Architecture Analysis & Design Language (AADL), that facilitates the creation of architectures for embedded systems, like those found in the IoT and ITS.
The creation of architectures containing multiple compartments with a structure that resembles that of a biological cell has generated significant research attention and these assemblies are proposed as candidate materials for a range of biomedical applications.
It involves the creation of an architecture that represents the system to be constructed, and this architecture is analyzed to ensure the system, as designed, is capable of successfully meeting requirements.
And he envisioned a time when the zeal for preservation would outpace the creation of new architecture.
The exhibition offers fleeting glimpses into what made Andrea Palladio (1508-1580) such a radical figure: his creation of an architecture that adapted ancient Roman forms to the houses of the gentry and that would eventually serve as an imprimatur of legitimacy for monarchs and revolutionaries.
