Sentence examples for creating the episode from inspiring English sources

Despite this personal knowledge, Wallace relied on the American Psychiatric Association's categorization of homosexuality as a mental illness rather than his own experience in creating the episode.

Before the episode aired, the CTW conducted a series of studies to guide the writers and producers in creating the episode.

Producer R. W. Goodwin felt that the greatest difficulty in creating the episode was the challenge in finding enough actors in the Vancouver area who could portray a convincing Southern United States accent, leading to the hiring of a dialect coach to prevent the cast from sounding "like they were coming from fifteen different parts of the South".

Director David Nutter felt that casting Željko Ivanek was the key to creating the episode, feeling that "Roland" was "probably the weakest script from start to finish" that the director had seen, but that once Ivanek had been cast, it became "important to push that as much as possible, to help outweigh the frailties in the script".

South Park animators created the episode using PowerAnimator, the Alias Systems Corporation animation program most commonly known as "Alias".

As with most South Park episodes, Parker, Stone, and their team created the episode within a week of its broadcast date.

Series creator Chris Carter, who called the episode one of his favourite episodes to write, created the episode as a way to explore how the character of Fox Mulder would react to the death of his father.

Before producing the episode, writer Stephen King was approached by the Family Guy production team to create the episode, and obtain his written permission to create it; with King agreeing to allow the show to create the parody.

"Apocrypha" was the first mythology-centred episode to be directed by Manners, and made use of a mixture of physical and digital effects to create the episode's antagonistic black oil.

To create the episode's auditory effects, sound editor Bruce Tanis explained his production steps in an interview with Designing Sound, "'Earthling' was a really good episode for strange sounds.

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