Sentence examples for create a composition from inspiring English sources

Sometimes irregular fragments of cloth or paper create a composition with obvious harmony.

This jazz composition book for GCSE students is perfect for building the different elements of jazz music to create a composition.

Here, he joins forces with Nitin Sawhney to create a composition other animals will enjoy, while exploring music's roots in our evolutionary past.

I learned how to create a composition and use visuals to illustrate scientific concepts — and, in turn, share my research work with a much larger audience". "This flow device represents a crucial step in the scale-up of the electrochemical separation processes developed by the Hatton group.

Consequently, we need to understand how to create a composition architecture that allows design-time requirements to be consistently used with an arbitrary set of services discovered at run time with no human intervention (Challenge 1).

As such, by expressing composition requirements on the level of the context model on the one side, and by annotating fragments with context information on the other side, we create a composition framework in which composition requirements, though detached from fragment implementations, can always be automatically grounded on them.

Michael Daugherty will have his "Motor City Triptych" performed, also by the Detroit Symphony, in January, and David del Tredici has created a composition titled "Gay Life" for the San Francisco Symphony in May.

The elevated point of view allows the artist to present the city's eclectic mix of architecture, while he also creates a composition of geometric forms and patches of contrasting pink and green colors.

A cornetist and composer, Morris is known for his system of "conduction," which involves directing an ensemble of improvisers with a set of gestural cues, the conductor and instrumentalists creating a composition together in real time.

In his late works Miró employed an even greater simplification of figure and background; he sometimes created a composition merely by setting down a dot and a sensitive line on a sea-blue surface, as in Blue II (1961).

In the painting, however, he makes a synthesis of these divergent tendencies and creates a composition that is at once ordered and free, calm and full of movement, simple and varied.