Sentence examples for countless directors from inspiring English sources
Countless directors and CEOs, prominent institutional investors, leading business associations, renowned lawyers and judges, prestigious academics and think tanks and politicians of all ilk (including in at least one tweet, President Trump) regularly and passionately denounce short-termism and blame it for a myriad of actual and supposed short comings of our free market economy.
(Some truncated edits have been as short as 60 minutes.) Jimmy Wang Yu, who wrote and directed this lovable, fleet genre picture, which has inspired countless directors, stars as the One-Armed Boxer, who is preparing the students of his martial arts school for a big tournament.
Stone, a director of three feature films, successfully managed the career leap espoused by countless directors in the pages of the industry press.
He has also worked on numerous successful Academy Awards® and Emmy campaigns and served as a representative to countless directors, producers, writers and production companies.
Many old Hollywood films, like those of Cukor, Walsh, Hawks, and countless other directors, have this liberating anti-symbolic quality no less than the best work of the new European directors, like Truffaut's "Shoot the Piano Player" and "Jules and Jim," Godard's "Breathless" and "Vivre Sa Vie," Antonioni's "L'Avventura," and Olmi's "The Fiancés".
It's the sound of countless IT directors punching the air.
Countless actors, directors and producers can testify to her encouragement and her effect as a catalyst for change in their work and their lives.
After all, it's infinitely easier to summon up an idea for a masterpiece — as countless underachieving directors clutching tattered treatments for would-be cinematic classics will tell you — than to create the real thing.
Not only did he show countless actors, directors and teachers how the body could be more articulate; his innovative teaching was the catalyst that helped the world of mime enrich the mainstream of theatre.
It's one of the outstanding masterpieces of 1939, the supposed annus mirabilis of Studio Hollywood Classicism, along with Gone With The Wind (Victor Fleming, after countless other directors had been hired and fired on the two projects, ended up getting the directorial credit on both).
Ms. Dlugoszewski was celebrated in New York dance for her unparalleled gift for inspiring intense affection, admiration and exasperation all at once as she exuberantly buttonholed countless company directors, choreographers, dancers and writers to involve them in her own and Hawkins's projects.
