But we should not be misled by what a proposition literally says, or seems to say, into thinking that there must be some new kind of entity corresponding to God's being the cause of Socrates, especially since such reifying moves do not help us to understand what is happening when a cause actually causes (QM V.7 8: 30va 33ra).
For him sacrifice as gift is "no longer a mere matter of bartering with gods corresponding to that carried on with men, and no longer homage to the god such as is offered to princes: it is an opening of a blessed source of gifts".
In the 6th century encyclopedia Brihat-Samhita, Varahamihira says that "Mothers are to be made with cognizance of (different major Hindu) gods corresponding to their names".
And for every success ("Look, this plant has doubled!") there's a corresponding failure ("Oh my god, it's dead!").
One difficulty had to do with reconciling the multiplicity of ideas with God's unity: since there are many species of being, there must be a corresponding number of ideas; but God is one and, hence, cannot contain any multiplicity.
A corresponding attitude to Nebuchadrezzar, as God's instrument against wrongdoers, occurs in the Apocrypha in 1 Esdras and, as protector to be prayed for, in Baruch.
The ancient interpreters' boldness in rewriting was motivated and justified, Professor Kugel writes, by a fresh apprehension of God and the corresponding need to flesh out the command, found in the Book of Deuteronomy and elsewhere, "to serve the Lord your God with all your heart and all your soul".
These schedules are coordinated by "water temples", which represent gods and spiritual congregations corresponding to physical components of the water distribution system.
This mirror neuron function of preparation states makes that the actions and emotions of the God-image affect the corresponding behaviour, emotion and prayer states of the Self, leading to the actions and emotions of the God-image to influence the behaviour, emotions and prayers of the Self.
The connections between these films and the corresponding commandments ("I am the Lord thy God; Thou shalt have no other gods before me" and "Thou shalt not take the name of the Lord thy God in vain," respectively) are ambiguous and oblique, an ambiguity elegantly suggested in other Kieslowski films when he shoots scenes through windows or off reflective surfaces.
