In the 1990s and now into the 2000s, a number of feminists associated with the "corporeal feminism" movement have attempted positive connections with Deleuze in the name of an open and experimental attitude toward bodily potentials, in both the singular and political registers, as in the phrase "body politic".
The key to developing those habits that "stop the bodily movements which accompany" certain passions seems to lie in the body, particularly in the corporeal imagination (a part of the brain) and its practices.
The real world is a corporeal universe in constant movement, and phenomena, or events, the causes and effects of which it is the business of philosophy to lay bare, consist of either the action of physical bodies on each other or the quaint effects of physical bodies upon minds.
How could it be that our thoughts, which have something corporeal in them, namely, movement, are not themselves corporeal?
The philosophy of nature is specifically concerned with the nature of movement, of corporeal substance (i.e., matter and form), of life, and of the constitutive principles of organisms.
It is suggested that we need to build a notion of atmosphere that is particular to the study of non-experiential contexts, capable of accommodating the material infrastructure of social spaces (e.g. architecture, lighting and sensuous qualities) and movement (the corporeal staging of particular channels of experience) in order to move towards past atmospheres.
Although the pristine aesthetics of Buchanan's work are the first thing to be noticed, he masterfully encapsulates emotion through movement and corporeal expression.
Human thought has duration, succession, a beginning and an end qualities that depend on the movements of the corporeal organs and which follow the rules of local movement.
Nature for Mullā Ṣadrā is the "substance" and "power" of all corporeal beings and the direct cause of their movement.
One could conceivably interpret this to mean that the garments of corporeal substance, namely extension, shape, position and movement are the garments supplied by the mind as the forms or the conceptions under which the mind grasps material things.
