Sentence examples for corporate visual from inspiring English sources

It is generally acknowledged that corporate visual identity (CVI) is an important element of identity, reputation, and relationship management.

However, while this is the most common visual identity solution, in practice it is most often done on autopilot, with the acquirer simply using its corporate visual identity.

You may be correct that urban graffiti is increasing ("Cities Large and Small Report an Upsurge in Graffiti," news article, July 19), but corporate visual blight is also on the rise in Los Angeles.

As his career progressed over the last half of the 20th century, his range of design activities came to encompass magazine art direction, packaging, corporate visual identity, fine art, and store and restaurant design.

We identify five main themes and 26 sub-themes of corporate brand experience — corporate visual identity, functionality, emotional, lifestyle and corporate/self-identity. Financial service providers can address these dimensionalities during the process of brand positioning and when designing their corporate marketing in an online setting.

The original work's painterly sense of motion and abstraction crosses a media boundary into animated art on the grand scale that Times Square's electronic billboards permit with the corporate visual shock.

The bad news was that Spectrum, a small firm that specializes in corporate audio-visual presentations, had nearly completed a $50,000 videotape project for the annual meeting of Core-Mark International, a candy, cosmetics and tobacco distributor with offices in Los Angeles.

Mr. Runyan was a pioneer of visual corporate communications, the concept of an integrated package of logos, trademarks and graphics that establish the identity of businesses in the public's consciousness.

By 1908, Pick had become publicity officer responsible for marketing and it was at this time that, working with the company's general manager Albert Stanley, he began developing the strong corporate identity and visual style for which the London Underground later became famous, including the introduction of the "UNDERGROUND" brand.

Metolius will offer companies a fresh perspective regarding corporate identity and visual communication.

The current home of the Post continues the newspaper's retreat from architectural expression of its ideals and purpose, emphasizing the corporate media brand over visual instantiation of a national institution with a specific civic function (which doesn't mean the newspaper has retreated from that role in its daily journalism).