Alas, while these stories vividly captured Marbury's side of that culture clash — "When I first came here, for the first two weeks, I wanted to kill myself," he told GQ — they were less successful at conveying the perspective of the Chinese, who remained as voiceless and undefined as pieces of furniture.
The findings of the report discussed in this article provide a unique and critical contribution to the affordable housing debate by conveying the perspectives and opinions of people impacted by public housing policies.
During the Second World War, Ernie Pyle seemed to convey the perspective of "the little guy," the "common man" in arms, a character much idealized in that struggle of basically nonprofessional soldiers against the hyper-conditioned heroes of two continents.
The impact analysis of the energy performance of an office building model conveys a perspective on the benefits of integrating this type of dynamic (adaptable) envelope, taking into consideration the general context of energy conservation and the limitations imposed to conventional energy use.
Many journalists also turn to poetic prose in order to convey a perspective that cannot otherwise be presented".
Of all the forms of culture available to us today, games may well be the most effective at conveying that elusive perspective, precisely because they are so immersive and participatory and because their design can be so open-ended.
Even though the management report under German regulation does not mandate strategy reporting (for details, see "Appendix 1"), its principles still require any information included in the management report to be complete, reliable, clear, and transparent, as well as conveying management's perspective.
On the contrary, the pattern of terminal recurrence rates varies with clinical stage up to five years after diagnosis; in stages I + II, the recurrence rates are consistently below 7%, conveying a good perspective of patients diagnosed with less advanced disease.
Polke and Richter, like Warhol, conveyed underclass perspectives on popular spectacles of commerce and glamour — "outdoing each other in terms of the lowest forms of banality," according to the German art historian and critic Benjamin H. D. Buchloh, who knew both men at the time, and is interviewed in the show's catalogue.
The factors were surprisingly polarized, suggesting the forced-normal distribution affects the space available to convey nuanced perspectives.
