Odd though it may seem for a woman who speaks with such lucidity and fluidity, it was precisely the general absence of conventional dialogue that drew her to the role.
Conventional dialogue systems typically use architectures that create a set of predefined speech objects, or subdialogues, by combining several static components, such as grammars and other language components.
For Alter and other critics, the structural support and impetus for the contemporary references rests upon the visual nature of the film's exposition, occurring in the form of imagery as opposed to conventional dialogue.
Advancing an experiment he began with his last film, "Gerry," he decided to dispense with a conventional, dialogue-heavy script.
Several more plays lacking conventional plot, dialogue, and characters followed, but Handke's other most significant dramatic piece is his first full-length play, Kaspar (1968), which depicts the foundling Kaspar Hauser as a near-speechless innocent destroyed by society's attempts to impose on him its language and its own rational values.
In the conventional spoken dialogue system using an acoustic echo canceller, it is indispensable to estimate a room transfer function, especially when the transfer function is changed by various interferences.
These sorts of reactions to Francis from non-Catholics do not surprise papal biographer Austen Ivereigh, who explains that the pope has little interest in conventional interfaith dialogue.
In its actual, albeit more conventional, form, "Dialogues sur le cinéma" is nonetheless a trove of reflections of a cinematic past and future and a distillation of the essence of cinematic creation in the first person and the present tense of those reflections.
The 'conventional dialogue' was a compromise: there is no specific commitment to the 25-40 per cent cut, only a suggestion in a footnote, but the US did not insist on a commitment from the developing nations.
For the purposes of this review, I've put the dialogue into conventional quotation typography.
Ionesco once described "The Bald Soprano" and "The Lesson" as plays that both possessed "a conventional format - scenes, dialogue, characters - but no psychology".
