Sentence examples for control and representation from inspiring English sources

Against the backdrop of the record number of books being published by black writers these days, the panelists debated questions of social responsibility, control and representation.

Thus, GAMLSS allows for a better control and representation of dispersion, skewness, and kurtosis (Rigby and Stasinopoulos 2005; Jones et al. 2013) and provides a suitable framework to model the discrete continuous distribution of daily precipitation accounting for seasonality and exogenous forcing variables, such as alternative climate states (Francesco and Kilsby 2014; Francesco and Rebora 2015).

It is therefore likely that distinct regions of temporal lobe are important for semantic control and representation.

The NHI Research Database includes nationwide population-based data with good quality control and representation and is provided to scientists in Taiwan for research purposes [ 14, 19].

9 The National Health Insurance Bureau NHIBB) established a nationwide research database, which includes nationwide population-based data with good quality control and representation.

Research that supports this dissociation between semantic control and representation stresses the importance of a distributed network in left temporal and prefrontal cortex.

The different cognitive biases that are predominant among entrepreneurs include overconfidence, illusion of control and representations (use of limited information).

Finally, one should be aware of the limitations of the present study, including case and control ascertainment and representation.

In this light it is also notable that the tasks with the highest g loadings, including A-not-B and numerical discrimination, clearly fall within the cognitive domain, tapping capacities such as inhibitory control and number representation.

Ongenae et al. [ 61] describe a system that utilizes a rule-based engine (built with Drools [ 62]) combined with standard medical controlled vocabularies and representation languages.

Mr. Ottmann said he felt that the novel echoes how freely Ms. Bartlett can shift gears between abstraction and representation, control and exuberance, grids of steel plates and large-scale canvases — often diptychs that juxtapose two slightly different perspectives of the same scene and always painted with layers of grids that seem to embed the imagery in a web.