It's a marvellous tribute to the uniquely mischievous acting style of Bates, who died last year - he's in it from start to finish, and contributes an interview, as does Gray.
There's academic literature, of a sort — the guitarist Ronnie James Dio contributes an interview on the origins of the "horned hand" salute (according to him, it's a traditional Italian way of warding off evil) — and the whole thing comes in a box with a Spinal Tap-ish volume dial.
An interactive online version, questionbridge.com, is scheduled to appear in January; whoever signs up can contribute an interview, join the conversation.
As an oral historian contributing an interview to an archive, for example, I would want to note that my Grandmother discusses a gendered WWII experience, even if she does not see it that way.
She contributed an interview about ancient footwear to his 2015 book, "Fleeting Gestures and Obsessions". He in return has kept her in the red ribbon-laced flats she wore to the summit.
The fact that Commissioner Kelly contributed an interview to this film, which depicts Muslims as violent fanatics bent on overthrowing the American government, and then attempted to conceal this from the public, adds insult to injury at a time when relations are already frayed by NYPD's aggressive policy of spying on American citizens.
The ever-impressive Shirley Anne Field contributes a contemporary interview, claiming the film "affected people and changed their lives" and preferring "social realism" to the "kitchen sink" label stuck on to working-class drama at the time.
Harrison wrote "Freakum dress to demonstrate how a sassy sartorial item that can help recharge to a relationship", with Knowles and Makeba Riddick also contributing In an interview with USA Today, Knowles talked about the content "Freakum Dress", stating that an outfit which reminds of the best moments in a couple's life, is a necessity for every woman's wardrobe.
The former looks at early female producers, early female directors, and early African American female filmmakers, among others; as well, Shelley Stamp contributes an essay on critics, reformers and educators, and Kevin Brownlow contributes his earlier interview with director Dorothy Arzner.
First, it contributes a presentation of the formative interviews and field deployment of the ShareTable focused specifically on the role and perspective of the child.
Hirst also contributed a foreword, and an interview with Gregory, for an exhibition catalogue in 2005.
