Exact(1)
When, for a moment or two, you are free from self-identifying with any content (personality, body/mind complex, etc).
Similar(59)
The process by which Sage's educational content and personality were created and evaluated in collaboration with the museum's Divisions of Education and Exhibits is explained.
Vine celebrities, such as Jarre and Padgham, are becoming assets to companies who, ever more so, want their kind of content and personality to be associated with their brand.
"With Popbase, we are giving them a chance to gamify and monetize their YouTube content and personality".
From my place in the audience last week, the content and personality of most other presenters on the slate was unfamiliar, which no doubt increased the likelihood of my learning something new.
But what the women discussed here have managed to achieve is combining content with personality, which in today's market, where (according to Charles Fairchild in Pop Idols and Pirates) "products have become far too easily available" and brands are needed to "act as conceptual containers," is essential for success.
But most of these studies were qualitative, based on a dozen books, and focused primarily on high-level content – the personalities of protagonists and antagonists and the plots.
Franks: I think there will be a continued movement of terrestrial radio content and personalities towards podcasting.
In his 2009 book The Music Industry Patrik Wikström states that the music economy "consists of companies concerned with developing musical content and personalities which can be communicated across multiple media".
Adopting a person by situation interaction approach, we identified conditions under which conformity pressure can either stifle or boost group creativity depending on the joint effects of norm content and group personality composition.
Psychological Bulletin, 106, 332 337] in a database of 109 published results representing tests that varied in terms of scoring method (proportion accuracy versus correlation), content (e.g., personality versus affect), number of response options, item preselection, cue channel (e.g., face versus voice), stimulus duration, and dynamism.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com