Sentence examples for contemporary modes of from inspiring English sources

One of the least likely answers to that conundrum would be Ed Sheeran's muscular pop-folk, one of the most successful contemporary modes of British pop.

The idea here is how the human body plays a role in countering the dehumanizing agencies inherent in contemporary modes of vision.

Developed by Vingroup, one of Vietnam's most active local developers, and designed by British architecture firm Atkins and engineered by their occidental chums Arup, the modern and dynamic spire aims to symbolise the diversity and rapid economic emergence of Ho Chi Minh City as a locus of contemporary modes of consumption and commerce. .

Developed by Vingroup, one of Vietnam's most active local developers, and designed by British architecture firm Atkins and engineered by their occidental chums Arup, the modern and dynamic spire aims to symbolize the diversity and rapid economic emergence of Ho Chi Minh City as a locus of contemporary modes of consumption and commerce. .

Sooooo to circle waaaaaay back to where I started: maybe Super Fun Night, since its premise is about three chicks who have basically abandoned traditional and contemporary modes of femininity in order to hang out together and be anxious and lovelorn, could get into some of the ideas that other shows about women kind of leave out.

To shut off any part of it with terms that render that part opaque, and beyond understanding, is no longer a contemporary mode of thinking.

Next year, according to the beauty editor of Contemporary Modes, what with so many of the physically and economically sound in training camps, "the competition for men will be something fierce," and the women all over the country will have to buy about 300% more stuff than they did this year.

Ladies' costumes, following the caprices of the contemporary modes, included a pannier.

Obviously, part of a war's cultural milieu reflects contemporary modes in the countries involved.

The performance looks to combine the present with the past, the tradtional with the contemporary through modes of hyper text and our culutral proclivities for all things online.

Emily Mann's adaptation of "The Cherry Orchard" at the McCarter Theater here opens in somber fashion, with a violin solo in the discordant contemporary mode and the image of a young boy tossing a ball up and down behind a screen so he appears almost as a silhouette.