Sentence examples for contemporary editor from inspiring English sources

Tarun J Tejpal's The Alchemy of Desire would have been significant even without this endorsement, as it is written by a major contemporary editor and publisher, a person who, as the publicity material puts it, is "famous in India" for his uncompromising journalism.

A contemporary editor said of him, "He takes advantage of a state of things which he declares to be 'immoral, unjust and wicked,' and even while haranguing the loudest, is purloining the fastest".

While Royall's extraordinary life story as trailblazing muckraker defied the times, today's journalists and writers would do well to examine the importance of her wit as much as her wrath in making Congress "bow down in fear of her," according to one contemporary editor.

But what suturing: Curtis is one of the most dynamic of contemporary editors, displaying gifts of intellectual montage that create art out of detritus.

Unlike many contemporary "editors" who acquire books for others to edit, Mr. Gottlieb personally edited about 30 of Knopf's books a year, line by line.

The US publisher added: "Rather than permit changes and sanitising by his contemporary editors, Fitzgerald preferred to let his work remain unpublished, even at a time when he was in great need of money and review attention".

In some ways, he is the most Perkins-like of contemporary editors, except that unlike the self-effacing Perkins, who worked with writers as different as Hemingway and Marjorie Kinnan Rawlings, he has never been shy about taking credit for his editorial contributions and tended to favor a one-size-fits-all style.

Bristling with sexual and professional tension, it's a setup that could still work today for a Jennifer Aniston picture (and probably has), though Torchy's methods would probably not make it past a contemporary standards editor.

His publications include Orpheus and Power: The Movimento Negro of Rio de Janeiro and Sao Paulo, Brazil, 1945-1988 (Princeton University Press, 1994), Racial Politics in Contemporary Brazil, editor, (Duke University Press, 1999) and Party/Politics: Horizons in Black Political Thought (Oxford University Press, 2006).

The editors put a good deal of effort into keeping the letter column friendly and lively; contemporary writer and editor Robert Lowndes recalls that "Reiss was sincere and urbane; Wilbur [Peacock] enjoyed taking his coat off and being one of the crowd".

Led by contemporary art critic, editor and Goldsmiths university lecturer Gilda Williams, author of How to Write about Contemporary Art, this highly practical course shows budding arts critics how to imbue both specialist and casual audiences with the excitement of contemporary art.