Sentence examples for contemplate art from inspiring English sources
The phrase "contemplate art" is correct and usable in written English
You can use it when you want to talk about taking time to carefully consider something related to art, such as the beauty or message of artwork. For example, you could say "I love to take a few moments out of my day to contemplate art and think about its deeper meaning".
By even the most generous of views, the cavernous, corporate arena is not an easy or even conducive setting in which to contemplate art.
With the disastrous decision to axe the art history A-level because – allegedly – not enough expert examiners can be found to mark the papers, we see another downgrading, another reduction in the opportunities to contemplate art.
He too was in some way trapped in what he called the Romantic spirit, despite his efforts to contemplate art, history and society from a neutral perspective.
Is a computer store an ideal place to contemplate art?
And what, in contemplating art, is laudable about "efficiency" and reprehensible about a willingness "to slow down"?
Amidst these beautifully-drawn characters is Rose's fictionalised representation of Abramovic herself, contemplating art and its role and significance in her life.
But Blechman is not the letter writer he first appears to be, for as he notes at the end of his book, his pen pal, James Wetherington, who signs his drawings "Jaz" and who has a snoring girlfriend and a younger brother contemplating art school, "is a figment of my imagination".
3 p.m. 7. Multifaceted Pretend to contemplate the art while secretly shopping for shiny baubles at the Swarovski (Herzog-Friedrich-Strasse 39; innsbruck.swarovski.com) crystal shop, which reopened after a major renovation in mid-2011.
On Thursday night, revolutionary lyrics on subjects like Jamaican repatriation to Africa, hate crimes and factory-worker revolt met flashy music grounded in big rhythms and rock 'n' roll theatrics, making the show an occasion to contemplate political art's effectiveness.
Bosanquet writes that when we "imaginatively contemplate" an art object, we are "able to live in it as an embodiment of our feeling" (Three Lectures, p. 30); there is no ultimate distinction between art and the feelings it evokes in us.
But it would also be grim to contemplate the arts being serious and important all the time.
