The first half of the album contains "upbeat, gangsta boogie" tracks with the other half relegating "smoothed out R&B maneuvers".
It contained some upbeat dance tracks and ballads, though the latter also had rock overtones.
What's more, they point out that the chamber's data contain some upbeat observations.
It continues with "Walls", the album's ninth song, which contains an upbeat melody and a house-inspired breakdown.
The song contains an upbeat opening sequence with a heavy guitar riff, which provides a pop rock sound.
Musically, "Marilyn Monroe" is an introspective mid-tempo ballad that contains an upbeat piano, synth beats, and features influences of bubblegum pop.
"Cum On Everybody" contains an upbeat dance rhythm, while "My Name Is", which is built around a piano sample from British musician Labi Siffre's "I Got The", features a prominent bassline and psychedelic-style keyboards.
After transitioning from "What Can We Do (A Deeper Love)" and "If a Lie Was Love", the respective seventh and eighth tracks the remixes of "Paradise" and "Somebody That I Used to Know"—follows suit; the latter contains an upbeat melody with pounding synthesizers.
Overall, though, it contained a largely upbeat report on other military, economic and political fronts.
"Pictures of You", while upbeat, contained poignant lyrics ("Screamed at the make-believe/Screamed at the sky/You finally found all your courage to let it all go") with a "two-chord cascade of synthesizer slabs, interweaving guitar and bass lines, passionate singing and romantic lyrics".
