Sentence examples for constructs a portrait from inspiring English sources

From then on, Godard constructs a portrait of Karina, putting a life, his love for her, on screen, trying to find that soul by way of the exterior.

They are drawn from Griffiths's novel "let me tell you," which constructs a portrait of Shakespeare's Ophelia from the four-hundred-and-eighty-three-word vocabulary that the character is given in "Hamlet".

According to reviewer Heid Erdrich, Mom & Me & Mom does not center on Angelou's childhood trauma, as described in Caged Bird, but "rather constructs a portrait of self via details of her relationship to the mother who abandoned her and with whom she reunited as a teenager".

Susan Sontag describes the central role of the camera in everyday life in "On Photography": "Through photographs, each family constructs a portrait-chronicle of itself — a portable kit of images that bears witness to its connectedness".

Historian Richard S. Dunn *52 *55 has spent the last 40 years constructing a portrait of the final decades of slavery.

She will construct a portrait of a young man, engaged with the visual landscape and committed to its documentation as his visual vocabulary evolves to embrace narrative form.

The suspense of whether Barbara will escape drives the plot, but Petzold's film focusses on constructing a portrait of a woman and her contradictory beliefs.

Right now, the police can access that data only for investigations of particular crimes, making it harder to construct a portrait of the criminal networks behind gun crimes.

This documentary interweaves 70 years of Stuart Hall's film, radio and television appearances, and material from his private archive to document a memorable life and construct a portrait of Britain's foremost radical intellectual.

Shot with documentary realism, yet constructed with the carefully choreographed precision of a Swiss watch, this deftly blends life-and-death issues with down-to-earth drama to construct a portrait of good people driven apart by the clumsy mechanics of a rigidly ordered society.

These editions involve squirting liquid paper pulp through stencils or grills with squeeze bottles and cake decorators, or, as with "Georgia" from the early 1980's, gluing together dried globs of leftover pulp, shaped like small potato chips in different shades of gray, to construct a portrait of Mr. Close's daughter.