Strangest of all, was when these white, hairy, stinking people erected a piece of wood, with another set across it, and then fixed on this construction the image of a bleeding, tortured man".
Ecologists are aware that spatial construction (the image of the landscape) does not necessarily predict ecological function (Doley and Audet 2013; Majer et al. 2013).
In a letter to Mr. Spielberg protesting "Shark Tale," Mr. Lawton wrote: "The construction of the image of Italian-Americans as mob characters, beats, boors, bimbos and buffoons is predicated on their depiction in movies and television.
But the phrase, in Latin, is also familiar from our national currency, and the construction of the image, in two sharply contrasting tones, looks a lot like the engravings used on our bank notes.
His most recent publication, the Construction of the Image (Bedford Press, 2016) from which this talk takes its name, explores the meticulous process and decision that constitute his images through the exploration of a single photograph, the Ringroad, Houston.
This course will focus on a number of key texts and historical events that have shaped the relationships between Jews, Muslims, and Christians during the Middle Ages and contributed to their reciprocal construction of the image of the "other". The geographical center of the course will be the Mediterranean and the Near and Middle East, a true cradle of civilizations, religions, and exchange.
Everyday, we leverage social media and become active participants in the construction of the image and understanding that the world has of us.
For decades, the art world had a tendency to believe that black-and-white images were somehow more powerful -- more moving, and more artistic as the lack of color nods to the unrealistic construction of the image.
Local treatments are considered positively for different reasons: self-administration combined with massage is important for the mental construction of the image of pain relief; "Diclofenac cream helps me psychologically.
The construction of the images, with their proximity to Saul and out-of-focus backgrounds, comes off more as a strategy than as an experience.
In Joseph Desler Costa's work he reveals the influence of tools like Photoshop both in the post-production and in the construction of the images themselves.
