Sentence examples for constraining forms from inspiring English sources

An activist for such social causes as women's rights, medical care, housing, and the elderly, Kuhn used her own experience in the church ministry to write Get Out There and Do Something About Injustice (1972) and Maggie Kuhn on Aging (1977), which argued that the church should "launch a massive attack on ageism in all its oppressive and constraining forms".

The length constraint in text-poetry fosters economy of expression in much the same way as other tightly constrained forms of poetry do, such as the haiku or the Welsh englyn.

These constrained forms may be used to design filters for dephasing and amplitude noise separately using minimal control resources.

Specifically, substituting ρ = R/ σ into Eq. 2 allows us to write a constrained form of the coverage probability, which in turn furnishes constrained expressions for the probabilities of events D A and D G. It is expedient at this point to switch from the event-based notation of probability used up until now to the Eulerian (functional) convention for the calculus-based aspect of optimization.

He is an artist, ultimately, restless and ambitious, and standup is a constrained form.

For Johnson, after his long novel, it felt liberating to return to the shorter, more constrained form.

The constrained form is ellipsoidal.

Restricting our attention to greedy algorithms, the main advantage of the ℓ2-ℓ0 penalized form is to allow both insertion and removal of elements in x, while the constrained form only allows the insertion when optimization is carried through a descent approach [30, 31].

"We are certainly constrained form having the type of debate that our nation was founded upon -- an open discussion of issues".

This necessitates a change in notation as we move from the probabilistic discovery model in Thms. 1 and 2 to the calculus-based optimization process in Thm. 3. Substituting the constraint in Eq. 5, ρ = R/ σ, into Eq. 2, we can write the constrained form of the coverage probability as (11) which now depends upon τ, R, and σ.

She demonstrated there that the attraction of the genre for a serious writer is its flexibility: what seems constraining about form and structure is actually liberating.