Sentence examples for constant scene from inspiring English sources

He adorned Dresden; welcoming foreign musicians and others, he gathered around him a large and splendid court, and his capital was the constant scene of musical and other festivals.

The programme book is little help, and though Lloyd's staging has its plusses - sharply colour-coded designs and costumes by Peter McKintosh, and telling use of video - its clutter and constant scene changes add to the confusion.

The men and women he writes about are all, it is true, placed in unusual circumstances; they are all, in one sense or another, solitaries; they all struggle, in their different ways, through a life that is a constant scene of jungle warfare; they all become, to some extent, obsessive.

Both sets of cases require a more complex dynamic control due to the constant scene changes.

Under the assumptions of constant scene depth and zooming speed, we argue that the motion trajectories of all physical points are related to each other by a unique vanishing point and present a robust technique for estimating its D coordinate.

This constant scene was paired, in every trial, to a trial-unique variable scene, containing visual objects that could differ from those of the constant scene in a variety of properties (examples of a constant scene and some variable scenes that were paired to it in Simpson's and Gaffan's study [147] are shown in Fig. 3A).

Wilde accused Douglas of distracting him from his art, of spending his money, of degrading him ethically, of constant scene-making, of deliberately and then thoughtlessly mistreating him.

The excesses of the central Don Juan character are surpassed by those of his six sons, though many members of the audience, driven out early by constant scenes of violence, outrage and rape, were spared that discovery.In this section The stage of nations The bloodier the better You don't have to be Jewish to live there Enigma of the people Is truth enough?

The constant scenes of intrigue, of tracasseries, she can but ill support".

Each rat was trained in a spatial two-alternative forced-choice task, in which two different stimulus scenes were displayed at the end of the two arms not currently occupied by the animal, and the rat had to learn to either approach a target positive-constant or avoid a target negative-constant scene.

The short scenes and constant scenery changes would work just fine on film, of course.