Sentence examples for constant conductor from inspiring English sources

Exact(1)

Firstly, for the comparison of the unbalanced tensions and the inclinations of the suspension strings, the FEA method and the constant conductor length method were applied.

Similar(59)

The task to design the dimensions of cylindrical superconducting coil, which generates the maximum central field within a constant overall conductor length, represents mathematically the problem to find for a solution of the constrained extremum of a function.

The constants are conductor resistance and inductance, and insulator capacitance and conductance, which are by convention given the symbols R, L, C, and G respectively.

The coupling time constants of conductors ranged from 80to9090 ms which are much smaller than the design value of 200 ms.

The great English ballet conductor Constant Lambert, in a well-known essay from 1946, made this point.

Now Daneman reveals that Fonteyn lost her virginity at 16 and that her next lover, the married company conductor Constant Lambert, boasted about her sexual abilities to Ashton (who passed on the comments with a gusto no biographer could ignore).

Fifty years after the legendary "Sleeping Beauty" of the Sadler's Wells Ballet's first American season in 1949, dancers were still telling me how the conductor, Constant Lambert, suddenly slowed the tempo in one passage of the Rose Adagio so that Margot Fonteyn, a dancer revelatory in her musical responsiveness, spontaneously made an unprecedented, electrifying effect.

Numerical analyses are also carried out to correlate and validate the magnitude order of the acoustoelastic constant of typical conductor steel grade (grade-B).

The analysis indicates that the observed out-of-balance voltage in the LHD can be explained by a difference in magnetic hysteresis between two symmetric coils, caused by differences in the penetration field and coupling time constant between the conductors.

His father was composer-conductor Constant Lambert.

A review in The Observer of Boult's second London concert, in 1918, said, "Having, apparently, a thorough knowledge of the work, he was content to let it speak for itself without having recourse to those aids to success which are a constant temptation to conductors".

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