The phrase "consonance between" is grammatically correct and commonly used in written English.
It refers to the harmonious or consistent relationship between two things. Here is an example of the phrase being used in a sentence: "The movie's soundtrack perfectly captures the consonance between the action sequences and the emotion of the characters."
With regards to comparison of the perception of music consonance between patients and controls, it was observed that consonant intervals/chords contributed more highly to the discrepancy in the AEP amplitudes than dissonant ones; in other words, healthy controls can perceive consonant musical sounds to a greater degree than schizophrenic patients can.
For a perfect consonance between setting and subject, one has only to look to The Masque of Anarchy, Maxine Peake's sensational performance of Shelley's outraged poetic response to the Peterloo Massacre.
This instinct for wholeness and harmony made him a great poet laureate as well, for he had an almost Indo-European sense of the necessary consonance between the good of the land and the good standing of its bard.
"Cognitive consonance between propaganda and people's self-feel does not withstand external shocks," says Mikhail Dmitriev, head of New Economic Growth, a think-tank.Over the past nine months opinion polls find that support for the presence of Russian troops in Ukraine have fallen from 74% to 23%.
Achieving internal consonance between knowledge, attitudes and feelings represents the most challenging bet of the education process.
Whereas normative concepts of entrepreneurship tend to idealize the consonance between individual success and social welfare, critical notions of entrepreneurship stress that such an idealization is based on the fallacious identification of entrepreneurship and modern identity (Bröckling, 2015).
There are other consonances between the two books.
While there are consonances between the two, Smith's style is lighter and less fantastical; what's more, there is a quality, a spirit, in her novel that is not to be found in Rushdie's work, and it might be called humility.
Much preoccupied with the consonances between the two art forms, Eliot was "not only a great sorcerer of words" according to composer Igor Stravinsky, but "the very key keeper of the language".
These pieces may not be for the ages: they seem to be crystallized improvisations that capture Ives experimenting with his language, particularly the relationship between consonance and dissonance, and between different kinds of dissonances (the descriptive and, it often seems, the merely provocative).
The Polish composer Krzysztof Penderecki is a noted explorer of eerie sounds that blur the borders between tonality and atonality and between consonance and dissonance.
