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Consider it, but consider carefully.
Consider it considered.
Consider it.
This winter, when the book was reissued in paperback by Picador Press, Entertainment Weekly called it spellbinding.
Critics, for the most part, adored the film, calling it "spellbinding" and "quietly sophisticated".
Part mystery, part memory puzzle, it is written in the polished style of a good thriller, and it is spellbinding.
It was spellbinding.
It was spellbinding, the yearning, eerie harmony of the song juxtaposed with terrified screaming; I told Doug to turn it off.
It's spellbinding to watch Mr. Gaiman — from first wobbly, coltlike steps to thoroughbred confidence — create one of fantasy literature's deep mythologies.
Who can say, but it's spellbinding.
It was absolutely spellbinding.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com