Sentence examples for conservation collection from inspiring English sources

In addition to the work of the GCI, the J. Paul Getty Trust contributes to the conservation field through the J. Paul Getty Museum conservation departments, the conservation collection located in the library at the Getty Research Institute, and conservation grants provided by the Getty Foundation.

On the other hand, simple sequence repeat (SSR) loci with genome-specific alleles [ 22, 23] offer the possibility to identify genomic composition and to estimate the genetic diversity and relationships among accessions from an ex situ conservation collection.

Therefore, the objectives of this study were (i) to characterize the accessions of the ex situ conservation collection in Brazil regarding ploidy and the genomic constitution by flow cytometry and PCR-RFLP; and (ii) to establish the genetic relationships by exploring the co-dominant nature of the SSR loci using the Bayesian model implemented on Structure.

"A problem that we were able to solve through our own germination studies with our conservation collections.

A secure future for the species could be realized through ex situ conservation collections and raising awareness with community groups.

Ex-situ conservation collections also have a role to play in ensuring a secure future for the three species described here, giving the potential for re-introduction if a chance event such as drought or typhoon should destroy or drastically reduce the wild populations.

Many gardens hold ex situ conservation collections that preserve genetic variation.

There are a limited number of ex situ conservation collections in the world (http://www.crop-diversity.org/banana/) and even fewer breeding programs associated with an important collection.

There were three categories of resource use that could be potential targets for conservation interventions: collection of NTFPs for medicinal use, hunting of galliform species, and collection of NTFPs to cook as vegetables.

Her work is concerned with the magic in ordinary objects, but also the aesthetics of conservation and collection, as many of her images of objects from natural-history museums demonstrate.

In this study, the analysis of a typical marching banner is carried out to determine the value of techniques commonly used in the analyses of both paintings and textiles, and their appropriateness for the identification of materials and degradation processes, to inform conservation and collection care as well as add to the historical understanding of these objects.