Sentence examples for connecting reality from inspiring English sources

Exact(2)

Deeply inspired by Latin American magical realism in literature, and historic genres of artwork that create a visual bridge connecting reality to the mystical world, Stonehouse deftly creates a wonderfully surreal painted world that is as rich and inviting.

It might be worthwhile to promote Leon Panetta back to Director of the Office of Management and Budget (OMB), and have the Vice President heavily invested in connecting reality from the OSC to widget shuffling at OMB in the context of a balanced honest budget.

Similar(58)

Before we even get to an entirely connected reality, though, among the obstacles in the way is the fact that plenty of such devices already have landed with a thud, met with a lack of enthusiasm and consumer buy-in.

Mr. Heene was apparently pursuing a reality TV job as late as last month, when he signed up for an account on RealityWanted.com, a Web site that connects reality television casting agents and aspiring contestants, said Mark Yawitz, a co-founder of the site.

Can we shake off our apathy, connect reality and marshal a productive counterattack against the forces of ignorance?

By merging their signature aesthetics and meaningful digital-focused approaches and visions, Ludy and Dorf offer viewers the opportunity to explore the imaginary path that connects reality to unreality— while still questioning the omnipresent IRL/URL dichotomy.

A final 13th grid shows the expansive landscape from which the castaway items came, acting as the last piece of a puzzle that connects reality to a museum setting.

The historical act of reconstructing past human creations, and of projecting oneself into the thoughts of others, makes salient critical philosophy of history's synthetic function of connecting temporal reality and mind through the process and consciousness of time.

He wrote his autobiographical novel to connect with reality, his own reality, it's true, but one that speaks to a great many other people.

Desiring-production does not connect "with" reality, as in escaping a subjective prison to touch the objective, but it makes reality, it is the Real, in a twisting of the Lacanian sense of the term.

I presume (à la Kripke) that the photograph is causally connected to reality.

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