Sentence examples for confused eye from inspiring English sources

Exact(2)

Will we be doing the Trump headshake and confused eye or the Cruz full-body shudder?

THE young woman, smartly dressed in winter whites, walked by me and then stopped suddenly, casting a confused eye at the ranks of people neatly lined up on her left, some 100 feet away from the nearest theater marquee.

Similar(58)

It'll be embarrassingly impossible to share why simple small talk in the line at the bank from those whose glances at your wedding ring will send you running to your car to weep hidden away from confused eyes.

It'll be embarrassingly impossible to share why simple small talk in the line at the bank from those whose glances at your wedding ring will send you running to your car to weep hidden away from confused eyes. .

It's fun to watch confused Victorians eying a symbolic button and joystick with confusion, or see sexual liberation as a mass of floating boobs and boners, and it also drives the message home.

This is particularly useful for stains with similar colors that could be confused by eyes, as well as for investigating co-localizations of two or more stains [5].

(Why the eyeballs?) At times this video wallpaper enhances the excitement of the live acts, at other times merely confuses the eye or distracts from them.

We have explored several strategies to achieve these colours including the use of copolymers that contain two distinct moieties, blends of polymers that have different colour changes, laminating two different polymers on the working electrode, and using fine patterns of two different materials to confuse the eye.

As opposed to the symmetry of, say, a classic Colonial-style house — with the front door in the middle and windows placed evenly on either side — McMansions have irregular features that confuse the eye.

Windows must be blocked off or painted black to obscure the outside light; zigzagging hallways are constructed to isolate rooms; and each of the rooms has to be built according to Turrell's meticulous designs, with hidden pockets to conceal light bulbs and strange protruding corners that confuse the eye.

Richard Wilson's 1988 installation 20 50, a room-filling tank of sump oil, so perfectly reflective that it confuses the eye, is a test of perception, and in its latest manifestation in the Saatchi Gallery continues to catch the unwary with substantial empirical proof of what it really is.

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