Sentence examples for confrontational director from inspiring English sources

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The Blue Lamp, Aberdeen, Thu; Scarborough Spa Complex, Fri JF The English National Opera continues its close relationship with confrontational director Calixto Bieito.

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She suggested that women were better in casting because they can better articulate emotion with actors and were less confrontational with directors.

Famous for his confrontational dramas, Austrian director Michael Haneke discovered a tender side in Amour, a rigorous but ultimately compassionate account of an elderly couple near the end of life; it won the Palme d'Or at Cannes as well as the top prizes of the European Film Awards.

His film in question, Elle, does star Isabelle Huppert, one of the most celebrated actors of all time - but the thriller, about a steely businesswoman caught in a game of cat and mouse with her rapist, refuses to tone down the director's confrontational style.

In order to look less confrontational, Steve Silverman, the executive director of the nonprofit group Flex Your Rights, recommends filming from your waist, while holding your phone with both hands in landscape mode, a.k.a.a

In his much less confrontational report, Dr. ElBaradei, the director general of the International Atomic Energy Agency, said his team had visited nuclear-related buildings where satellite photography showed new structures and had found no new nuclear activities there.

Cooke's own work as a director has been similarly confrontational.

"We're not that confrontational about it," said Dr. Neil de Grasse Tyson, director of the museum's Hayden Planetarium.

While a binding vote is far more confrontational and puts more pressure on directors to find the proper pay package, a symbolic vote could prove to be just that.

Michel Franco is the Mexican director who made the savagely confrontational high-school bullying drama After Lucia; now, he comes to the Cannes competition with Chronic — a sombre, intelligent, finely composed study of one man's emotional endgame.

Among the wider public it is often the same people who routinely dismiss opera as a dead, elitist art form who then take most offence when directors try to make it confrontational and give it contemporary relevance.

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