Sentence examples for confessional narrative from inspiring English sources

Unlike many other shows on the fringe, which prize storytelling above big laughs, there will be no theme to the show, no confessional narrative or autobiographical arc.

Or, at least, as conventional as it can be, considering it's an unflinching confessional narrative about guzzling powerful drugs written in 1957.

The story of how two high school students befriend a lonely old widower, Mr Pigati, and then go on to betray him, the novel displayed Zindel's gift for the confessional narrative, Salinger-style.

Less attuned to the motivations of individual actors, Showler is more interested in interrogating the ways in which the show works systematically — analyzing, for instance, how the contestants' life traumas are, as a rule, converted into connection, creating an economy where "confessional narrative is a form of Bachelor currency".

When asked whether the Handmaid might, even in her confessional narrative, be concealing her own political activities against the regime, Atwood's professor makes some observations about the repressive habits of authoritarian governments: shooting or otherwise silencing members of the resistance, shuttering news organizations, and the like.

In the present situation, most practitioners of feminist philosophy of religion and of feminist theology are agreed that their discipline cannot be limited simply to a sociological assessment or confessional narrative of what a particular religious group believes to be true, without consideration of the difference that gender makes.

His "Ain't Ain't Ain't" (ANTI-) is scattershot, but has a bedrock of real, confessional narratives.

But Beattie's use of the confessional and narrative discourse of therapy also makes for a clogged and at times dreary reading experience.

Though bracingly confessional, the narrative is long on messes and short on epiphanies, and its dramatic power is weakened by Dennis's love of shtick — he can't resist making God talk like Jackie Mason and white liberals talk like Urkel.

Not to worry; all will be embraced by a cheap and not-so-cheerful aesthetic that genuflects to reality television with direct-to-camera confessionals and narrative holes that the viewer is forced to fill in.

The underworld journey and the teenage-girl confessional are both narrative genres with rigid conventions, and as Madison's progress continues and Palahniuk remains faithful to each, what we get is a strange mash-up between the two.